And that's for really high quality presets (I'll pay a little more for The Unfinished, but that's the one exception). However, for me personally, I find $40 to be the upper limit of what I'm willing to pay for a collection of about 125-150 presets. I believe developers are entitled to set prices to reflect their development effort and the percieved value of their product. I'm not one to complain about prices of presets or libraries.I just have waaay too many presets and libraries that cover this territory many times over. But seriously, if that's your thing, great. Please no more ambient/atmosphere/texture/soundscape presets!! The world is drowning in them, and they never seem to stop coming.I'll pretty much buy any of his Omni presets without even needing to audition them, and it's that level of quality that I use as a measuring stick when evaluating other presets. For me, the preset bar has been set by The Unfinished.Some presets just make you want to keep listening or playing them. It's a difficult thing to describe, but I know it when I hear it.

The musicality and overall musical usefulness of presets is actually the most important factor to me.As a developer, I think it would be helpful to know what else is out there and what you're competing against. However, I do know the general type of presets I've purchased, so that's my crude basis for comparison. But who's kidding who? I have so many presets, I have no real idea of what individual presets I actually have. Like most other folks, I look for unique presets that compliment what I already have.Speaking from a consumer point of view, I love buying Omnisphere presets and have amassed quite a collection over the past few years, but I'm also very selective:

Omnisphere banks torrent